The Avengers 148, 1976 “20,000 Leagues Under Justice!”

After leaving Marvel (Timely/Atlas) for the second time, Jack Kirby created the Fourth World. To put it simply, he created an entire universe full of characters from the vast, galactic brain of his that had already spawned the likes of Captain America (with Joe Simon), the Romance genre, the Boy Commandos, Challengers of the Unknown, The Sky Masters of the Space Force, and…well, you get it. Oh and he also co-engineered (if not engineered) much of the Marvel Silver Age.

After a few short years at DC, he returned to Marvel once again, and he gave us all something very different, and very cool. Titles like Machine Man, Devil Dinosaur, 2001: A Space Odyssey, drove our imaginations to new heights. Kirby also did numerous covers for the Fantastic Four, and The Avengers! Books like this one are a comic book lovers dream. Cover by Jack “King” Kirby, story by “Stainless” Steve Englehart, pencils by “Gorgeous” George Pérez, inks by Sam Grainger, colors by Hugh Paley, and letters by “Titanic” Tom Orzechowski! This issue features one of the teams that could consistently give The Avengers a run for their money- The Squadron Supreme!

 

 

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A Tribute to the late Joe Kubert!

On his birthday, I’d like to pay homage to Mr. Kubert! His pencils and inks were some of the finest to ever grace the pages of comics, and I for one am saddened by his passing (in 2012), but rejoice in the awesome legacy he left behind not only from his work, but also his school in Dover, New Jersey! Now, I give you some of the awesome covers (that I own) that the legendary Joe Kubert drew over the years! Enjoy!

 

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Cinema Sunday: Die, Monster, Die! (1965)

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Title: Die, Monster, Die!

Distributor: American International Pictures

Writer: Jerry Sohl

Director: Daniel Haller

Producer: Pat Green, James H. Nicholson, Samuel Z. Arkoff

Starring: Boris Karloff, Nick Adams, Suzan Farmer Freda Jackson

Released: October 1965

MPAA: Approved

 

 

My addiction to Boris Karloff continues! I just can’t stop watching his films (horror) now, and I’ll definitely review a couple more between now and Halloween! Whether he’s the main character, or not, does not matter, I just need a fix of his acting! The rest of the cast in this film is a help as well though and they will most certainly be mentioned at the conclusion of my review.

This film a loose adaptation of a story written by H.P. Lovecraft (The Color Out of Space). I haven’t read that story myself, but would love to because I understand it’s incredibly creepy and trippy. I won’t parse hairs over the legitimacy of what a true “adaptation” is, but I will say this…I don’t care in this case because it’s Boris Karloff starring in a horror film. Simple, no? Alright, without further delay, let’s get down to business!

 

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The film begins with a young man, Stephen Reinhart (Nick Adams), as he arrives in a small village in the English countryside. He attempts to get a cab, then rent a bicycle, but every time he attempts to make his way to a certain local castle, he’s rebuffed by the townspeople. No explanation, just basically told to sod off. He must then walk all the way to the home, which takes a few hours. As he arrives at the Witley estate, he notices signs telling people to keep out. Disregarding the signs, the gloomy, dark setting seems to scare him a bit, but he approaches the front door and knocks. No one answers, so he lets himself inside. He’s quickly approached by Nahum Witley (Boris Karloff), and his manservant. Nahum tells him to get out, but Stephen tells him that his daughter (and wife), Susan (Suzan Farmer) invited him to come and stay with them for a while (apparently they were school mates in the US).

 

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Susan takes Stephen upstairs and he meets her mother (sort of). She’s apparently an invalid and her bed is shrouded in drapes to conceal her visage. She tells Stephen that she’ll deal with her cranky husband, but also that she wants to talk to Stephen alone. Once Susan leaves, Mrs. Witley (Freda Jackson), begins to cryptically tell Stephen about some strange goings-on at the house. Meanwhile, Nahum and Merwyn (Terence De Marney) make their way to the basement where it appears very dungeon-like, and that there is some pulsating power source in a shallow well of some kind. Mrs. Witley tells Stephen specifically about her maid, and how she went insane and was never seen again. She then begs him to take Susan away immediately, before something terrible happens.

 

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Later that night at dinner, a scream comes from upstairs, Stephen is shook up by it, but Nahum and Susan act as if they’ve heard it before. Suddenly, Merwyn falls over, as if he’s either unconscious or dead. Stephen and Susan run to him, but Nahum assures them that he can take care of it (being wheelchair bound, I’m not sure how), and tells them to leave. Stephen comes upon a library, and begins reading a book about “old ones” (here’s where you get the Lovecraft tie-in), dark forces,  and horrific things that plague mankind. Susan then looks out the window, and sees a dark figure leering at her. She screams and then Stephen comes to her aid. He tries to get her to leave, but she won’t leave her mother.

 

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As the night gets older, Stephen is reading in his room, then once again hears a violent scream. He and Susan investigate, heading toward the basement. The scream sounded unlike any shriek a human being could make. Before they can get there though, Nahum cuts them off. He tells them that Merwyn is dead, and it was terrible. Stephen pushes Nahum to explain what’s going on, but he gets a door slammed in his face. As he heads back towards his room, he hears a rustling sound, and sees Nahum, pushing his own wheelchair out the front door. He then checks Merwyn’s room to check things out. He finds no corpse, but a burn mark on the floor in the shape of a man.

 

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Outside, Nahum digs a grave for Merwyn, as Stephen watches. From the corner of his eye, he sees a greenhouse, glowing with a green/blue light. Nahum makes his way towards the greenhouse, but sees the light on in Stephen’s room, and decides to head back indoors to see if he’s still awake. Stephen runs back and hops in bed, pretending to sleep. Nahum is unaware that he’s been out, and leaves quietly.

 

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The following morning, Stephen rises early, and heads back towards town. He’s accosted by a robed, mutated humanoid that attempts to stab him. After that altercation, he goes to see the town doctor, Dr. Henderson (Patrick Magee). He questions him about the Witley family and the strange happenings. The doctor is tight-lipped but his assistant/secretary tells him that the doctor was a good man who went off the deep end after caring for Nahum’s father, who went insane, and then died mysteriously. Back at the house, Nahum attempts to get Leticia to come out and go to the doctor in town, but she seems to be too far gone, mentally and physically. Meanwhile, Stephen and Susan gain access to the green house, and they make a startling discovery. The plant life inside has grown to enormous size, which is unnatural. They then hear a shriek from deeper within the structure…

 

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What sinister forces lurk in the basement of this home? And, will Susan and Stephen live to tell about it?! Watch this classic to find out!

 

OK, here are my thoughts:

Alright first things first…I’m not a big Nick Adams guy. He kind of reminds me of another Nic…Cage. Both play “themselves” in every movie role they are cast. Adams is cocky, arrogant, and self-righteous. The guy just can’t act beyond that one persona. Other than him, this film is great. Karloff plays a great curmudgeon, and you really dislike him at first. Once things get a bit clearer though, you feel sympathy for him. Suzan Farmer (image below) is pretty good, as she plays an excellent damsel in distress. I would’ve liked to see more Freda Jackson, but her role didn’t allow for it. She’s such a good actress and always delivers in horror films.

One familiar name in the beginning credits was Don Banks (music). I recognized him from his work at Hammer Studios (and others). He does a solid job with the score and along with very moody sets, you really get a shiver from this one. I understand that the film is very loosely based on a Lovecraft book, and that probably turns off those who revere his works. I’m an admirer of his works but haven’t read much of them. In all honesty though, the film was great and even without being a direct adaptation it serves to give a positive light to his works.

Get a copy of this one and sit down one evening and let it rip. You’ll be glad you did!

 

Click here for the trailer!

 

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A Devilish Fascination (in comic books)!

What is it that makes fear so fascinating? People actively go to horror movies, read books, and even visit tourist attractions touting frequent ghostly visits. I’m sure there’s a clinical term for it (isn’t there one for everything these days?), but do most people ask themselves this question? Probably not, but after recently asking it in my mind, I struggled to answer the question. Other than just liking to be scared, is there some psychological reasoning behind this or just one of those unexplained phenomenon?

Why is there a fascination with the devil/demons and fear in general? Is it the same fear that we get from movies we watch even knowing we’re safe in a theater or our home or perhaps because many of us believe he’s/they are very much real? Most people I know personally believe in the devil, demons, etc., and even if you ask a large contingency of people on another continent, I’d bet most either believe or aren’t quite sure what is and isn’t to be feared either in this life or another.

Either way, here’s a quick look at some of the devilish deities from the Marvel and DC universes! I’ll  show some great panels from the likes of Mephisto, Hades, Etrigan, and more! Enjoy (artwork by John Byrne (images 1 & 2) and John Buscema (image 3)- Mephisto, Jack “King” Kirby Etrigan the demon, Bob Hall ChThon and other Elder godsSal Buscema Nightmare) !

 

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Marvel Comics: The Liberty Legion and The Crusaders!

Roy “The Boy’ Thomas, is one of my all-time favorite comic book creators. Not only is he one of the best writers, editors, and creators of characters (the two teams I’ll focus on now!), but also one of the best historians of the industry as well (Alter Ego). One of the things I think he did best was create teams that were retcons (retroactive continuity- meaning they didn’t exist in the same time-frame where their stories were written, but during the Golden Age instead).

Whether it was battling the Red Skull, fighting alongside The Thing against more Nazis, or arm in arm with The Invaders in the European Theater, these two teams were always right in the middle of the action! Other than Rascally Roy, these characters were brought to life by the best, including Jack “King” Kirby, Don Heck, Sal Buscema, Frank Robbins, Alan Kupperberg, Frank Springer, Vince Colletta, Joe Sinnott, Chic Stone, Don Glut, and more! Images from Marvel Premiere 28, Marvel Two-in-One Annual 2 (1976), The Invaders 41, 15, 35, 36, and 37 (1976-1978)!

 

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Cinema Sunday: The Devil Commands (1941)

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Title: The Devil Commands

Distributor: Columbia Pictures

Writers: Robert Hardy Andrews, Milton Gunzburg, William Sloane (novel)

Director: Edward Dmytryk

Producer: Wallace MacDonald

Starring: Boris Karloff, Richard Fiske, Amanda Duff, Ralph Penney, Anne Revere

Released: February 1941

MPAA: Approved

 

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I’d like to say that there’s a rhyme and reason to my movie selections, but alas, there is not. I will say that for now, I’m severely addicted to movies starring Boris Karloff. His filmography is fascinating to look at. Diversity, longevity, and power, make it nothing short of spectacular. The man is one of the true legends of the genre. And quite honestly, I’d say all that even if you removed “Frankenstein” from his list of credits!

After leaving Universal Studios when his contract expired, Karloff worked for Columbia Pictures, RKO Pictures, and AIP (with Roger Corman directing most of those). He hosted some television shows (Thriller, Out of this World, and The Veil), used his awesome voice on radio shows (Lights Out), and made cameo or guest appearances on a few different television series. The man, by all accounts, was a great guy that kept most of his personal life to himself, and even helped build the Screen Actors Guild from its infancy!

OK, now, I give you…The Devil Commands!

 

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The film opens with a the voice of a woman telling the audience her name is Anne Blair, and her father’s name was Dr. Julian Blair (we see a creepy old house, during a thunderstorm). She tells of how the townspeople were afraid of her father, and the strange goings-on at his abode. She tells of better times when her father was a professor at a local university, but that one night, an experiment changed all that…

We then see a scientist, Dr. Julian Blair (Boris Karloff), as he’s attempting to show five other scientists that his invention (a wild looking helmet, some wires, and a machine that looks like a polygraph), and research, have yielding fantastic results. He shows them how his machine, while hooked up to a human being’s head (one of the scientists at this time), can show brain activity, and possibly even thoughts! The scientists are skeptical, and Blair seems a bit put off. As the experiment winds down, his assistant, Karl (Ralph Penney) bursts into the room, along with Blair’s wife, Helen (Shirley Warde). He then straps her into the machine to show them that the brainwaves of a woman, are far superior to that of a man (the two of them make a a lot of jokes, but loving remarks as well). Again the crowd is skeptical that this means anything significant, but Blair and his wife must rush out the door to pick up their daughter.

 

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The two drive off, and speed toward their destination. Helen then remarks that they must stop to pick up a birthday cake for their daughter. There’s nowhere to park, so Helen (who’s driving) tells Julian to get out of the car and get the cake, and she’ll drive around the block and pick him up upon returning. He barely gets back outside after getting the cake, when a car slams into their car, killing his wife. After the funeral, you can see a marked decline in Dr. Blair’s demeanor. Not in the way any grieving husband would be, but completely lost in his soul.

 

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Later, he heads over to his laboratory, and for some unknown reason, he turns on his machines. The last person he used it on was his wife, so her brain patterns are still on the graph. Suddenly, the graph beings to move again, and the waves are in the same pattern as his wife’s were! He deduces that this means his wife’s spirit is trying to contact him. Just then, his daughter walks in, and his mistakes her for his wife for a moment. As Anne (Amanda Duff) walks in, he tells her that her mother’s spirit is alive and well, and made the waves on the graphs.

 

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He then brings his colleagues back to tell them, and they think he’s had a mental breakdown. He becomes angry, and even resentful of the fact that they don’t believe he’s discovered something astonishing. He flips out, and orders everyone t leave, including Anne, and her boyfriend (and former assistant to Dr. Blair, Dr. Sayles – Richard Fiske) to get out. Karl stays behind though, and tells Dr. Blair that he talks to his dead mother all the time, with the assistance of a medium named Mrs. Walters (Anne Revere – image above). At first, Dr. Blair doesn’t think she’s for real, but then he agrees to go see her. As the séance begins, we do see an apparition, that supposedly talks to Karl. After it’s over, Dr. Blair confronts the medium about some of her shenanigans, but does come to realize she has some latent psychic powers that he can use to talk to his dead wife.

From this point on, Dr. Blair does anything and everything it takes to achieve his goal. But is that goal so terrible?

 

OK, here are my thoughts:

This film definitely has one not so good thing going for it…the title. I don’t know who decided on the title, but it’s absurd. Not once is “the devil” mentioned that i can recall, or do they ever imply that Satan is in any way shape or form involved. It’s quite ludicrous. Other than that, this film is a real gem for Karloff. He plays a great mad scientist, but also it’s how he plays someone grief-stricken from losing a loved one. Bravo, Mr. Karloff.

The performance lifts this film to unbelievable heights, as the sets, music, and costumes are nothing above average. The atmosphere is quite good, especially after Karloff’s character begins his association with the medium. Speaking of that character, Anne Revere does a splendid job with her performance as well, and should be lauded for it. She’s a real creepy lady in this one! Oh, and Amanda Duff is absolutely gorgeous in this film (image below)!

I know this one is available online and in a DVD set you can grab cheap too if you’d rather go that route. No excuses, get this one ion your collection!

 

Click here for a clip!

 

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Cinema Sunday: The Lodger (1944)

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Title: The Lodger

Distributor: 20th Century Fox

Writer: Barré Lyndon

Director: John Brahm

Producer: Robert Bassler

Starring: Merle Oberon, Laird Cregar, George Sanders, Sir Cedric Hardwicke

Released: January 1944

MPAA: Approved

 

 

I’ll come right out and say that I love the lore surrounding Jack the Ripper. No, I’m not a fan of murder, but the fact that the killer evaded detection, while performing his hideous deeds is quite remarkable. It’s always been a fascination of mine, even to the point of watching and liking films that are loosely based (if that in some cases) on the murders in Whitechapel, London.

Another to be clear about is that none of these names ring a bell with me. Perhaps I’ve seen a film or two with one of the actors before, but the names definitely don’t seem familiar to me. One thing is for sure though, after watching this one, I’m a big fan of Laird Cregar! Alright, now for the movie!

 

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The film begins after a couple of murders have already taken place. London (especially the Whitechapel area) is full of panic. Outside a pub, two locals read a paper posted about the murders and a reward for help leading to the capture of the murderer known only as “Jack the Ripper!” A couple of Bobbies (cops), begin to patrol the area. We then see a few more of them on horseback. Close by, a few inebriated patrons spill out of a pub, singing and dancing in the street. One woman in particular walks by, and tells them that she lives just around the corner, so they let her go alone. A few others call out to “Katy’ to tell her goodnight. She sings playfully on her way home. As she turns around a corner (where we cannot see her, but only hear her), where she’s apparently run into by someone unknown to her. A few seconds later she cries out in horror, and she is presumably dead. A crowd gathers around the police as they arrive to find her dead body. A few people talk of how it must’ve been the Ripper again, as she’s apparently been cut up quite badly.

 

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The following day, a newspaper boy is selling copies of the latest edition, warning of another Ripper murder in Whitechapel. A woman supposedly got a look at him, but due to the darkness, couldn’t be of much help with a description. The people in that area are quick to buy copies to read about the horror. Out of the shadows, we see a man, “Slade,” walking towards a home. A man, Robert Bonting (Sir Cedric Hardwicke – image below) comes out of that home to buy a copy of the paper. Just as he returns inside, a knock on the door occurs. His wife, Ellen Bonting (Sara Allgood – image below), answers, and lets Mr. Slade (Laird Cregar – image above) into the house after he inquires about a room for rent. She tells him they do have one, and then she takes him upstairs to show him. He asks if there is any other rooms, and she says nothing except the attic. He gets visibly aroused when he sees how inconspicuous the room is and that there’s a back door to which he can use since he works late at night…

 

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Ellen also remarks that their niece lives in the house as well, and that she’s an “actress” singing and dancing in a cabaret. Afterwards, Ellen returns downstairs and informs her husband that Mr. Slade will be renting the room and attic, beginning tonight. He’s more interested in the Ripper murders, and theorizing about them. He’s had a nervous breakdown after losing his job, but knows they need money. A while later, Ellen brings some food to Mr. Slade, and she finds him very irritable, and turning over all the pictures in the room (they’re all of gorgeous actresses). He tells her that he doesn’t like actresses, but she hopes he’ll change his mind because her niece, Kitty (Merle Oberon – image below), is one. As the week winds on, one night Mr. Slade is on his way out to “work,” and runs into Kitty, Ellen, and Robert, as they’re exiting to go see one of Kitty’s performances. They ask him where he goes at night, but he’s quite mysterious about it. He seems to be smitten with Kitty, but most men probably would be (I know I am!).

 

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At the theater, Kitty is getting ready, when a former actress, Annie Rowley (Helena Pickard), comes to see her. She just wants to see her old dressing room again, as she apparently does every time a new girl gets to perform at this theater. Kitty appeases her, and invites her to stay, but Annie tells her she has other plans. Kitty throws her a few bucks, and Annie tries to refuse, but Kitty insists. The show goes on, and Kitty gets a thunderous applause. The show is a success, but during the performance, Annie Rowley is brutally murdered by the Ripper, in a nearby alley. One man, Inspector John Warwick (George Sanders), seems to be a bit ahead of the curve, and might just have a chance to figure out the riddle of Jack the Ripper!

The fear and panic are almost at a height where people are hysterical. There are hundreds of police combing the streets every night, but it seems they are at a loss to stop this fiend. Can Inspector Warwick and Scotland Yard catch the murder, or will he keep slaying unsuspecting women in London?

 

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OK, here are my thoughts:

So, anyone with half a brain will obviously know that “Slade” is the killer 20 minutes into the film. Of course, they do a great job of keeping the illusion alive in the movie itself, so that makes it watchable. There are several good performances in the film, but none better than that of Laird Cregar. His portrayal of Jack the Ripper is exquisite. His cool demeanor when he’s trying to hide who he really is when the lights go down is excellent. The opposite is very menacing too, as he’s an extremely scary dude, due to his facial expressions and size. It sort of reminded me of Spencer Tracy in the 1941 classic “Dr. Jekyll and Mister Hyde.” Yeah, it’s that good.

 

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Merle Oberon is also very good. She excels at being a strong female character (for the time), and is also extremely vivacious (see image below). Hardwicke and Allgood also do a fine job at their parts. Even the maid, Queenie Leonard, is fantastic at playing a quirky secondary character. A standard soundtrack does lend a hand in some parts, but isn’t necessary to be honest. The atmospherics and acting lift this film above any other film about this subject that I’ve ever seen. Quite easily, to be perfectly honest.

 

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Hit up your local big box store or online at Amazon or some such sites. The film is definitely worth asking price!

 

Click here for the trailer!

 

 

Cinema Sunday: The She-Creature (1956)

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Title: The She-Creature

Distributor: American International Pictures

Writer: Lou Rusoff

Director: Edward L. Cahn

Producers: Alex Gordon, Israel M. Berman, Samuel Z. Arkoff

Starring: Chester Morris, Marla English, Tom Conway, Cathy Downs, Lance Fuller

Released: August, 1956

MPAA: Approved

 

After a tumultuous month of June, I’m going to try to tackle two movie reviews this month to make up for that loss! This B movie might not be on the radar of some but definitely give it a chance. The original casting included horror stalwart, Peter Lorre, but he ended up pulling out for whatever reasons. Don’t worry though, AIP has always delivered in the genre, and whether it’s a solid film or so hokey it’s good for a laugh, Samuel Z. Arkoff knows how to get a reaction!

This film was part of a craze that had a scorned/enraged female monster-type character that would get revenge on men or just society. Of course, like everything, it was run into the ground after a while, but there are some good ones out there for sure (check out this one- Night Tide). Alright, let’s get on with the show!

 

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The film begins with some underwater shots, then topside we see a man thinking to himself. Doctor Carlo Lombardi (Chester Morris) is wavering about something he’s brought to life, something hideous, and “the world will never be the same!” He’s then approached by a barking dog that snarls as if it wants to attack. Lombardi stares at the beast, and within seconds, it turns tail and runs away, as if scared of him.

 

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Nearby, at a house party, Dr. Ted Erickson (Lance Fuller), and Dorothy Chappel (Cathy Downs) flirt with each other, then go for a walk along the shoreline. Dorothy’s mother worries that she’ll miss the appearance of Dr. Lombardi at the party, but her father shrugs it off, believing he’s just a two-bit, carny hypnotist. Dorothy’s mother says that Lombardi warned that tonight something sinister was afoot, and that an unspeakable horror would arise. As Ted and Dorothy walk along the beach, we see Lombardi enter a beach house. It’s been ransacked pretty bad, and then we see a woman, bound and quite dead. A man inside the home is dead as well, but there doesn’t seem to be any trace of what happened. As Lombardi leaves the home, Ted and Cathy see him leave. They investigate, and find the bodies as well, then call the police.

 

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As the police show up, they remark about how they’ve never seen a murder like this before, because the victims have had their neck’s snapped like a twig. For some reason though, the cops are letting Dr. Ted walk around, contaminating the crime scene. They ask him what he saw, but he can only tell them he was walking on the beach, then saw Lombardi walking out of the house, just before he got there. They also find a strange footprint, but cannot identify it. The one cop remarks about how Lombardi said something was coming from the distant past to kill.

 

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Lombardi returns to the carnival, and is approached by another guy that works there. He tells Lombardi he heard a scream coming from his house a while ago and went to see if everything was OK. Lombardi warns him to stay out of his business, but the man was worried about a certain female carnival follower that Lombardi has taken in. Lombardi then threatens the man and walks away. We see a poster telling people about the girl and how Lombardi, using his hypnotism, can make her remember a former life from hundreds of years ago.

 

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Inside the home, we see a beautiful woman, asleep on a couch. Lombardi walks over and we see he has her hypnotized, and in a deep sleep. The woman, Andrea Talbott (Marla English), looks as if she’s dead., but then he revives her. As she does, Lombardi looks out to the ocean, as if to see someone or something. Andrea finally comes to, and tells Lombardi that she hates this place and him, and that she wants to get away. At that moment, the police show up and arrest Lombardi. Ted seems smitten with Andrea, and as the two walk out together, he asks her to have a cup of coffee. At first, she seems very interested, but then she can see the piercing eyes of Lombardi in her mind. She then tells him that she can’t go with him, and walks off.

 

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The next morning, Dorothy’s father, Timothy Chappel (Tom Conway), is trying to persuade Ted to back him and some friends that want to hire Lombardi and make money off of his “talents.” Ted stoutly refuses,  and walks off in a huff. That evening at the carnival, Tim Chappel visits Lombardi, who knew he was coming and who he is already. The two discuss making a deal to make lots of money, but Lombardi seems a bit reluctant especially when Tim makes fun of his abilities. He warns Tim that tonight the monster will return , and murder again!

Will Lombardi be held responsible for this? Can Andrea get away from his slimy grasp? Which beautiful woman will Ted choose? Watch and find out the answers to these burning questions!

 

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OK, here are my thoughts:

This film is one of the hidden gems of the era. No, it’s not Oscar worthy or anything, but anyone that is into B movies needs to see this one. The hypnotism angle, using a woman as the scapegoat, the occult, etc. are all tropes that were big at this time. The film has a great atmosphere, and utilizes dark, shadowy scenes well. The soundtrack is standard fare but pretty good. Marla English (image below) is absolutely beautiful in this one, too.

As far as the acting goes, you get a couple of solid performances by Chester Morris and Lance Fuller. Both show that they’re above the rest of the cast. The actual monster is pretty cool, and we have legendary designer Paul Blaisdell to thank for it! His work is nothing short of cool, and for his time, he was a visionary.

Get out and watch this one for all the reasons that maker B movies awesome!

 

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Click here for the trailer!

 

 

 

Strange Tales 146, “The End at Last!”

All good things must come to an end…and so did the reign of a certain creator on this title! In this awesome story, we see Dormammu battling not only his nemesis Dr. Strange and then none other than Eternity! Dormammu laid a trap for Eternity and the Doc, but things fall apart rather quickly in this issue for the fiery-headed fiend! Before that though, we do see just how powerful Dormammu is, when he confronts Eternity, and manages to hold his own for a while!

The glorious artwork by “Sturdy” Steve Ditko in this, his last issue of Strange Tales, is absolutely marvelous. There are three full splash pages that are nothing short of brilliant, and Spider-Man aside, show his best work in a superhero book. Most know of Ditko’s abrupt departure from Marvel Comics, and how he’s the biggest recluse in comic book history (to my knowledge). I’d love for him to do just one interview to set some things straight, and not listen to all the pundits speculate about certain matters. Either way, he’s one of the best creators of the industry has ever seen, and should be lauded as such. The story is scripted by “Dandy” Denny O’Neil, colors by Stan Goldberg, and letters by Artie Simek!

The other story in the book (“When the Unliving Strike!”) features Nick Fury. The story by Stan Lee, and layouts by Jack “King” Kirby, pencils by “Dashing” Don Heck, inks by “Mirthful” Mick Demeo, and letters by Sam Rosen.

 

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The Project Pegasus Saga Part Two (Marvel Two-in-One 56, 57, 58, 1979)

The next few issues of this great story saw a change in art, but not in tone for sure. You still get action supreme, and we really see what Ben Grim is made of as not just a superhero, but a man. We also get Bill Foster in action, Quasar showing off his abilities, and the mysterious Wundarr as well! After all is said and done, Wundarr fell a little flat, but Thundra was awesome! One thing to note about issue 56- the Thing and Thundra brawl, and as older readers know, this isn’t anything to get worked up over. In this day and age, you’ll be hard-pressed to see a brawl between a male and female characters in a mainstream book.

Props definitely need to be given to Mark Gruenwald and Ralph Macchio (writers). In only six issues, they utilize at least fifteen different characters in this setting (plus a flashback or two), and get more out of them than all their previous appearances combined! They do a great justice to Bill Foster especially. The artwork by George Pérez (pencils) and Gene Day (inks)(and one cover, 56, by John Byrne and Terry Austin), is very solid. I’m not very well versed in Day’s career, but Pérez is dynamite. Some of the pages of the issues I own, are a little muddy, and seem more like a printing issue than the artist’s not doing their job. Names like Bob Sharen and Carl Gafford (colors), Irv Watanabe and John Costanza (letters), and Jim Shooter (editor), round out the creative force behind this gem!

 

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